[tig] Electronic Press Kits

Kassner, Neal NJK
Tue Feb 17 15:14:24 GMT 2004


I'm working on a broadcast project that incorporates a fair amount of
material that comes from EPKs for several films in current release. While
the blacks and whites fall where they should, and it's all nicely
letterboxed, overall things look a little flat and muted color-wise. Can
anybody shed a little light on where and when in the post process these EPKs
are generated? Generally speaking, have they been scene-by-scene graded or
are they one-light transfers that could use a little tweaking? Obviously I
don't want to mess with the overall look, but sometimes it's hard to tell
what's appropriate.

Neal Kassner
Colorist
CBS News/NY





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