[Tig] workflow on "trim passes"

Carl Skaff carl at stopp.se
Fri Nov 12 07:38:45 GMT 2010

600/125 nits...
Was I the only one that didn't understand that?


I would find it easier to divide the mode in time more coarsely, taking a
day in P3 at 600 nits before going to the next day at 125 nits 709, before
the next day in DCI.  It's difficult to work in parallel between different
colorspaces, for colorist and client.

(Sent from mobile device)

Carl Skaff
Head of Telecine
Stockholm Postproduction
phone: +46 8 50 70 35 00
fax: +46 8 32 77 22

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