[Tig] Midnight in Paris

underscan at gmail.com underscan at gmail.com
Wed Jun 27 09:41:07 BST 2012

could you elaborate more on what you thought was so special
about the grading?

just watched the movie and think it looks great too but don´t really
see the speciality in it. is it really that different to other movies?
maybe because it has this HDR feel to it in the beginning?
just wondering.

would also be great to get an insight from Joe Gawler about the whole process
of grading the movie and what techniques were used.

mark wagner


colorado | berlin

Am 26.06.2012 um 21:33 schrieb Bob Friesenhahn:

> Sohonet www.sohonet.co.uk sponsors the TIG.
> Support from Digital Vision www.digitalvision.tv
> Support from Blackmagic Design www.blackmagic-design.com
> Support from Dolby Laboratories www.dolby.com
> ====
> On Tue, 26 Jun 2012, Joey D'Anna wrote:
>> Does anybody know what the shot "the newsroom" with?
>> I really liked the look - great job whoever graded it.
> No offense, but yawn (I fell asleep).
> However, I have been meaning to bring up "Midnight in Paris" which I could tell was something pretty special in the colorists world within the first few minutes of watching it.  It seems that my judgement was correct since the credits section for colorists was pretty large and even included a "chemical grading" category.
> http://www.variety.com/article/VR1118047291/
> http://www.firstshowing.net/2011/van-gogh-brings-color-to-woody-allens-midnight-in-paris-poster/
> http://mdsimages.com/2011/06/07/midnight-in-paris-to-color-or-not-to-color/
> Bob
> -- 
> Bob Friesenhahn
> bfriesen at simple.dallas.tx.us, http://www.simplesystems.org/users/bfriesen/
> GraphicsMagick Maintainer,    http://www.GraphicsMagick.org/
> _______________________________________________
> http://reels.colorist.org
> http://tig.colorist.org/wiki3

More information about the Tig mailing list