[Tig] Grading 5d thoughts
trovak at comcast.net
Thu Dec 5 14:53:34 GMT 2013
You've got to make it flat first. Emulating a "raw" file as much as possible. This will give you a far better feel for what's in the image, and the latitude of exposure (which isn't much with these cameras).
I have done projects where DSLR footage was intercut with better digital cameras. It can work. Big problem is all the inherent compression noise in the original image. Quite often you may not notice it until you start manipulating the contrast.
The bigger problem comes with the deliverables. If your deliverable is 4K DCP, the DSLR really starts looking bad. this may be in the realm of totaly unrealistic. but it has been done.
Some years ago I was really hoping the DSLR revolution was a passing fad. Today I am so happy to say that I have not had a DSLR project for quite some time. I hope to never see one again.
Best of luck.
Tom Rovak - Sr. Colorist / Post Production Supervisor
ROVAK COLORIST SERVICES
Commercials, Feature Films, Music Videos, Long Form
Color Correction, DIT, Dailies, Editorial, Finish/VFX
trovak at comcast.net
Website / Commercial Reel: http://colorist-rovak.com/
----- Original Message -----
From: "Rogério Moraes" <rogermamo at gmail.com>
To: "TIG" <tig at colorist.org>
Sent: Thursday, December 5, 2013 6:53:52 AM
Subject: [Tig] Grading 5d thoughts
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I'd like input from you on how are you all dealing, thinking, feeling,
loosing hope and health (or being happy, I don't know...), on grading Canon
5d footage, specially when intercut with other digital cameras. I'm not
trying to start a thread here on how to convert or deal with the 5d
material, or tech specs, but how it feels to grade from this camera, which
in my opinion is far from an ideal of " good image". From strange unnatural
skin tones to it's limited range, noise... I do feel that the best approach
so far is to not touch the footage much. The more you try to tweak it , the
more unnatural it feels.
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