[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]
I just want to say that if a test proves that Kodak has created a film with
speed of 5600 that looks like 5293 then they are really on the right track.
In my few tests I found the 5600 to look quite good when manipulated
properly.The 5600 requires a special setup in telecine,more so than any
other stock.In fact,I think the look is so good that it rivals 5298.To say
that it looks like 5293 would be like saying 5293 looks like 5245.
Please keep in mind that we all know how tests done in telecine can
be manipulated to produce almost any results.and we all know that
the exposure of the film is very critical when comparing products.It sounds
to me like the test you mention was not very well controlled.Or,the results
point out that anyone shooting 5293 for television shows should change
to Prime Time as soon as possible to take advantage of the tremendous
speed advantage.After all,film speed is a major issue here.
Thanks for the info.And happy marketing.
From: Yuri Neyman
Sent: Saturday, October 05, 1996 2:00 AM
To: bob at bluescreen.com
Cc: telecine at xyzoom.alegria.com
Subject: Re: Primetime
I want just to tell you, that I merely answered question regarding DP
rational of using different stocks, witout any intention get into
discussion either re: Primetime( in my opinion it is a clear case of the
"pre-mature birth") or aestetics and needs of episodic TV cameramen.
It is impossible do not agree with you that "how the subtle nuances of
individual stocks get lost in the noise when an image is transmitted
over a poor cable system to a 1987 Sylvania with the brightness and
contrast turned all the way up".
The bottom line is that if the image has an imagintion, then it will
look good even on yellow card board or on out of tune Magnovox. No one
stock can substitute creativity and imagination, but choice of stock can
help to accelerate those intstincts and feelings.
And as per Primetime subject,I can tell you that among more thaen 500 DP
world wide using our TSC/Gamma=1 sytem of transfer, only ONE DP is using
We did a test for this DP using our GAMM A& DENSITY telecine control
strips.Result:PRIME TIME and 5293 look almost the same, with proper
contrast ratio transfer, of course.The difference is that you can print
5293 and sell it to some markets as a print, and with 5600 PRIME TIME
mailinglist digest available.........advertising *only* with permission
inquiries to rob at alegria.com...http://www.alegria.com/telecinehome.html