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RE>Re: Comments to Steve B.
> We have with interest noted Steve Brett's comments to our DVNR tool-box=
> integrated with colour correction systems and would like to make the=20=
>I have to say that I am interested who runs their NR systems after color=
>correction? I always use NR before, especially with RSQ, as I then have=
>less noise to contend with when selecting color/luminance/objects. It
>would be extremeley difficult to start doing the type of work I am doing=
>with any delay at all!
I run the NR after colour correction here at Rushes...this is because
1/ With our blueprinted Ursa Golds , "noise" is not a problem
2/ We use the aperture correction down stream of the colour correction to=
avoid edge problems when isolating colours. Aperture correction, Sharpen=
ess controls, should occur at the final stage similar to Audio "sweetenin=
g". This way the colour corrector does not have to deal with these added =
In a perfect world, the telecine would have in built film grain concealme=
nt and the colour corrector would have in built aperture and noise reduct=
ion. CRT grain is not really fixed in the NR but the Twiggi kit helps thi=
s a great deal.
The use of NR and Aperture correction are important look based tools and =
really should be an integral to the Pogle/daVinci in my opinion.
Paul Grace - Rushes London