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CML& TIG: sound and film
In reply to comments about 16mm sound (in a thread that started with
super 16 blowups) in the cinematography-l list,
Dirk DeJonghe <dejonghe at kortrijk.be> wrote:
>Actually, it is not too difficult syncing up a professional DAT recorder
>with timecode to a film projector. I have a client who used a simple
>proximity switch installed on the projector axis to generate 50Hz pulses
that he sends into the DAT synchronizer.
Meanwhile, over in the telecine interest group, following a very long
strand that started with ACMADE rubber ink edge numbers,
John Portnoy wrote:
In fact, I've even heard of one
cutting room that took the digitized audio from their Avid to a ProTools
screening room, so that dailies could be projected with audio and
Both messages arrived on the same day.
Is this what they mean by "convergence"?
mailinglist digest available......posting guidelines on the webpage
the Telecine Internet Group <http://www.alegria.com/telecinehome.html>