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In a bad mood? au contraire! But is this the end of the story? What
Did you kick ass and whip up the original?
Also how do you actually get the technicolor look - is there a general
trick of the trade?

A legal/political question; assuming a client wants you to do a transfer
and grading this also assumes he has the permission to do so - then does it
matter what source of film is used?

Would it not be in everyones interest that  this transfer would be made as
good as possible?

Inversely - who says "stop right now, nobody is allowed to air this low
quality". Who protects  what the photographer so tediously has created? 

rgds/mike reichel 

         Thanks to Brian Thomas for support of the TIG in 1997
      TIG subscriber count is 858 on Fri Oct  3 08:03:58 PDT 1997
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