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Re: day for night
- To: telecine at sun.alegria.com
- Subject: Re: day for night
- From: Martin Euredjian <martin at hollydig.com>
- Date: Thu, 08 Jan 1998 00:38:49 -0800
- In-Reply-To: <E0xqBJt-0007YK-00 at sun.alegria.com>
- References: <Martin Euredjian <martin at hollydig.com>
- Resent-Date: Thu, 8 Jan 1998 00:41:24 -0800
- Resent-From: telecine at alegria.com
- Resent-Message-ID: <"apaAgC.A.E0.zDJt0" at sun>
- Resent-Sender: telecine-request at alegria.com
- Resent-To: multiple recipients of <telecine at alegria.com>
>several suggested that this go to the CML (cinematography
>mailinglist).. good idea, but there are many DP's who subscribe to
>the TIG, who are happy to contribute.
Also, if this is for something like a commercial --where there will not be
a film-finish-- the only treatment that is significant will be that given
during the telecine session. Folks at the CML list may be a lot more
familiar with what to do for a conventional film finish situation where you
have the lab do the color timing. Still, it'd be interesting to learn what
the non-video folks have to say about this.
-Martin Euredjian
---
TIG subscriber count is 911 on Thu Jan 8 00:40:14 PST 1998
complete information on the TIG website http://www.alegria.com/tig3/