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Re[2]: day for night
- To: telecine at alegria.com
- Subject: Re[2]: day for night
- From: "Bruce W. Goldstein" <metsfan14 at earthlink.net>
- Date: Fri, 09 Jan 1998 19:10:35 -0500
- Resent-Date: Fri, 9 Jan 1998 16:12:59 -0800
- Resent-From: telecine at alegria.com
- Resent-Message-ID: <"6hTWQ.A.A4G.Izrt0" at sun>
- Resent-Sender: telecine-request at alegria.com
- Resent-To: multiple recipients of <telecine at alegria.com>
>
>I think the point may have got missed somewhere along the line in this
>discussion. There are two distinct concepts you have to bear in mind when
>shooting day for night. First is (in simple terms) to make the picture
>darker and a bit bluer.
Am I missing something here? I've battled forever that night is dark,_ not
blue_.
I just went outside to check. Sure enough, it's dark out there. Is this an
old-time
"blue" appendage from the early days of film-making???
Regards,
Bruce W. Goldstein
Senior Colorist
A+V
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