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Re: a weird cinematography question for the TIG
- To: <VEGASDP at aol.com>
- Subject: Re: a weird cinematography question for the TIG
- From: "Robert Lovejoy" <rlovejoy at bellatlantic.net>
- Date: Mon, 16 Feb 1998 20:47:16 -0500
- Cc: "Telecine" <telecine at xyzoom.alegria.com>
- Resent-Date: Mon, 16 Feb 1998 17:51:50 -0800
- Resent-From: telecine at alegria.com
- Resent-Message-ID: <"5HmyuD.A.SKE.izO60" at sun>
- Resent-Sender: telecine-request at alegria.com
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Kurt Rauf writes
> I am a DP working in the American Southwest. It's been great reading
>TIG posts. I have a question for the members.
> I would like to shoot some 35mm still film.
The First Problem is that still film uses a different kind of film
aperture than movie film. As you look at a typical still, 8 perfs run
horizontally across the top & bottom of the picture area. In movie film, 4
perfs are at the side of the picture and ordinarily the picture is composed
off to one side to allow for the soundtrack (academy aperture). The easy
way to get around this would be to use a "half-frame" 35mm camera like
Olympus used to market. Otherwise, negs from a standard camera can be
placed in slide mounts.
Is it possible to transfer
>this 36 exposure piece of film or should I shoot a 250 exposure roll.
Unless you're shooting half frame, the neg from your still camera can't work
on an ordinary telecine. Even then, you'd still need a telecine with a gate
capable of full-aperture 35mm.
>the best way to transfer "still" negatives? We would be editing all the
>frames together in a collage. Will I have registration problems in the
Generally, the negs are delicately placed in slide mounts. Registration
would have to be accomplished by lining up every frame with a reference from
a still store.
Good luck, Kurt, and I hope this was of some help!
Shooters Post and Transfer
Thanks to Blake Jones for support of the TIG in 1998.
No product marketing allowed on the main TIG. Contact rob at alegria.com
930 subscribers in 37 countries on Mon Feb 16 17:50:21 PST 1998
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