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RE: RE>RE: Green light
I couldn't agree with you more. Full bandwidth RGB is the way to go in post
production. Do not throw away anything until distribution where it doesn't
matter any more.
Real Image Technology, Inc.
Paul "anarchy in the UK " Grace said:
In post production we strive for equal wide bandwidth to allow for
precision keying in composites. This is why high end visual FX houses use
4:4:4 in Ursa and Flame/Inferno .
Film work is even more demanding in quality and any
datacine/telecine/scanner must offer a wide band response to faithfully
capture all the data we need for VFX along with other increased technical
Equating this to the eye's perception is misleading as that has nothing to
do with the image manipulation we need to do to the images prior to any
Thanks to Peter Stansfield for supporting the TIG in 1998..
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956 subscribers in 36 countries on Mon Mar 23 07:58:16 PST 1998
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