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RE>Re: RE>RE: Green light
- To: Martin Euredjian <martinfx at email.msn.com>, Telecine <Telecine at xyzoom.alegria.com>
- Subject: RE>Re: RE>RE: Green light
- From: Paul Grace <paulg at rushes.co.uk>
- Date: 25 Mar 98 11:26:18 +0000
- Resent-Date: Wed, 25 Mar 1998 03:42:58 -0800
- Resent-From: telecine at alegria.com
- Resent-Message-ID: <"dUPUaC.A.47G.L2OG1" at sun>
- Resent-Sender: telecine-request at alegria.com
- Resent-To: multiple recipients of <telecine at alegria.com>
We generaly use 2048x1536 at 16 bit linear for open gate film work . This is pretty normal to aid workflow. Any work in inferno is carried out at 12 Bit.
Also "then take every other pixel on a line and
throw them away."
You can't just drop pixels out, the image needs to be interpolated to avoid artifacts.
My whole point was that the image needs to be equal wide bandwidth in all three colour planes to help the FX work.
The next parameter is picture steadiness......
Thanks to Peter Stansfield for supporting the TIG in 1998..
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945 subscribers in 36 countries on Wed Mar 25 03:41:55 PST 1998
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