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- To: "TiG" <telecine at alegria.com>
- Subject: C-Reality (Re)
- From: jpb <aaton.jp at alpes-net.fr>
- Date: Sat, 26 Sep 1998 15:35:38 +0200
- Resent-Date: Sat, 26 Sep 1998 08:35:57 -0500
- Resent-From: telecine at alegria.com
- Resent-Message-ID: <"WHWcmC.A.vRE.Y2OD2" at sun>
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- Resent-To: multiple recipients of <telecine at alegria.com>
Geoff Boyle 9/26/98 8:53 & 9:31 :
> I have NO doubts about the future of film imaging over digital.
> As an origination medium.
I'm happy your recent C-reality experience more than confirms
the raison d'etre of film in our digital image era.
So many people have told us we are crazy to be introducing
-now- a totally new Super16 camera!
(see A-Minima abstract below)
> I can promise you that anyone that says S16 isn't up to HDTV
> hasn't either been honest in their testing or hasn't done
> a comparison with C-Reality, or Spirit for that matter.
Your CML and TIG lines will be cited in many other forums.. :)
The A-M Super16 camera was designed to encourage film origination,
*the* economic way to record high definition material and
to conserve it for the unforeseeable future in a world
dominated by video with its mediocre dynamic range, so-called
high definition and questionable shelf-life, not to mention
the maze of DTV & HDTV standards.
It is meant to be the second camera on well endowed productions,
but also the one and only camera (it's cheap) in the hands
of young filmmakers, those who want to have access to
their 'complete works' throughout their career.
A-Minima is light (2 lbs), noiseless (ca 26dB), and
time recording (new AtonCode-II); it is comparable
in size to a small camcorder.
Jean-Pierre Beauviala tel +33 4 7642 9550 www.aaton.com
Thanks to Rich Torpey for support in 1998.
No product marketing allowed on the main TIG. Contact rob at alegria.com
1014 subscribers in 39 countries on Sat Sep 26 08:35:14 CDT 1998
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