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Re: Electronic Cinema
- To: <telecine at alegria.com>
- Subject: Re: Electronic Cinema
- From: Robert Lund <lundo at interport.net>
- Date: Thu, 13 May 1999 04:54:26 -0500
- Resent-Date: Thu, 13 May 1999 03:53:28 -0500
- Resent-From: telecine at alegria.com
- Resent-Message-ID: <"6ax02.A.fnC.CMpO3" at sun>
- Resent-Sender: telecine-request at alegria.com
- Resent-To: multiple recipients of <telecine at alegria.com>
"Michael D. Most" wrote:
> > In television broadcasting, so much used to be shot on film including the
> > news...now only expensive commercials (spots) or high quality drama is
> > originated on film. A reduction in usage but film has a firm hold in these
> > high quality areas "for now".
>
> Not in the U.S. Essentially all drama and a very high percentage of sitcoms
> are all shot on film. Video origination is prevelant for news,
> newsmagazines, "reality" and documetary programs, and ***some*** sitcoms
> (primarily those on "splinter" networks like UPN and WB.
Now I've gotta add my 2 cents as a TV viewer, not an engineer/expert. When
watching TV programs (only rarely, I swear!), it's pretty evident which are
shot on film. And in NTSC, it's not the resolution, or even the grain that
matters -- the handling of lighting makes a big difference. I wonder if the
nuances of lighting, the black detail, etc., can be preserved when
shooting in
video. I'm not familiar enough with the technical specs of the new equipment,
HDV-cams, to know. Can anyone shed any light (at the proper gamma) on this
subject?
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+ Robert Lund | "So many good ones, and so many bad ones; +
+ lundo at interport.net | that's what you get for trying." +
+ New York City | Dutch Schultz, last words +
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
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