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[Fwd: star wars digital projection]

I thought the TIG might be interested in the observations of the Flame

-------- Original Message --------
Subject: star wars digital projection
Date: Sat, 19 Jun 1999 21:21:18 -0400
From: "henry birdseye" <ozymand at mich.com>
Reply-To: flame-news at discreet.com
To: <flame-news at discreet.com>

Hey, I got this in the mail. Some of ya might if interesting...

So the reviews have been very positive about the digital projections of
the Phantom Menace:
Here's a couple of the first reviews of the digital presentation of
Episode I: 

Zan writes: 

"I just returned from the first DLP all digital screening of Star Wars
in Los Angeles. From the moment the DLP trailer came on, the amazing
difference in picture quality was apparent. In the opening scene, the
stars and text crawl were so sharp, that it actually looked 3D! I had to
walk from the back to the front of the theater and from side to side to
find seats and the picture was equally clear and sharp. I also noticed
that the picture was rock steady, and the shaking usually caused by bad
timing in the shutter was completly absent. From my third row seats, I
couldn't really see any pixels even though I was only about 10 feet from
the screen. The only place where pixels were a problem was on things
that were in focus and not moving, such as the subtitles. Still, they
didn't detract from the total experience. During the credits, me and a
large number of people went up to the screen to look at it up close.
Seeing this, the projectionist turned on the lights, and the amazing
thing is that the picture was hardly affected by this and lost very
little contrast. Upon examinig the credits, I could see the pixels were
rather large, about a square centimeter, but it looked like each pixel
was made out of four smaller pixels, which would mean that it is
possible for higher resolution movies to be shown, although this
resolution is fine. 
The rock steady and flicker free picture, the absence of reel change
symbols, and the incredible sharpness all made the movie more enjoyable
then the film version. Although DLP has its disadvantages such as in the
subtitles and with security concerns (I overheard an theater security
person talking about lucasfilm's worries about digital piracy), think
that DLP will catch on, at least in the larger theaters. The DLP
projection was was really worth seeing, and i urge anyone in southern
California or New York to see it before July 18th." 

Also, Ted writes: 

"I just got back from the 8:00 digital screening of Episode 1 at the
Paramus Rt. 4 Tenplex. The digital projector is set up in theater 1,
which holds about 600 people. I was somewhat disappointed to find that
there were probably aboout 100 empty seats remaining at the start of the
Anyway, the digital projection (the Cinecom version) was excellent. The
major differences from the standard film projection were that colors
were more intense, and details were significantly sharper. On the whole,
the effect was that I could spot background details that I hadn't
noticed in my 5 previous viewings of the film. Additionally, in many
cases depth was more realisic. I believe this was due to the sharper

On the whole, I'd say that the picture quality from the digital
projection was about 20% better than the standard film projector was on
the same screen. I saw TPM in the very same theater on opening day,
which makes for easier comparison."

It sounds like digital TPM is really fantastic, and we have yet to hear
of a negative opinion of the new format. 

Chris writes in, and here's an excerpt of his review as well: 

Okay, so I turn around and the jaw drops in awe when I see the 3 colors
projected like a rainbow through the theater. It was beautiful. The Fox
logo has never looked so brilliant. The stars of the opening crawl never
have sparkled so bright. Just when I thought I had seen this film so
much I knew all the little things to looks for - I found myself noticing
new characters in the pod race crowds - and even little details from
algae on the outer walls of the Gungan city to the shrap blades of grass
in the battle field at the end. Unreal. I was amazed at how un-pixilated
it looked and the lack of digital strobe I expected to see. I did notice
it in a few spots where there is a lot going on and things are moving
fast right to left or left to right - but other then that, when you take
into account that there will never be scratches and there are no film
reel chages causing any skips, it's not a bad trade off. All I'll say is
that every film you have ever seen in a theater was vhs. This is dvd. 

Then, GLYPHIK tells us about their experience: 

>From that moment it was almost a whole new world. The crispness and
clearness was unbelievable from where I was sitting in the center and I
saw no pixelization. It was the clearest movie I've ever seen in my
life. It was like whatever was on the screen actually existed right
there in the theatre. Of course, some people may not pay much attention,
but for me it made a GREAT difference in the pod race, the Gungan
battle, the approach to Theed, etc. 
Oh my goodness, my friends you should have seen it, it was absolutely

Then finally, R. Jason contributes this review of the digital Menace: 

The colors on this print were amazing and the details crisp and clean. I
noticed things I never saw before -- the Kaadu have a beautiful orange
hue to them, Sebulba's skin is surprisingly purple in spots, the water
as seen through the bubbles of Otoh Gunga and the cockpit of the Bongo
was an electrified blue, the glow of the lightsabers was intense, the
details of the Droids when they were destroyed by the sabers was
awesome, the sunsets on Coruscant where fantastic, the energy binders on
the pods blinding and bright purple, the darks were blacker, and the
great detail in the faces of the members of the Jedi Council and the
architecture surrounding its building. 
I can go on like this, but sufficed to say, it was beautiful. Those with
DVD players remember the first time they realized how much sharper the
image quality was over VHS will understand. I can easily make the same
analogy here. 

Thanks for all the reports!

Thanks to Cinesite for support in 1999
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