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If you wait long enough fashion just repeats
This was sent to me recently and the irony struck
me.
Usual disclaimer. I have no direct
affiliation with the company enclosed and dont receive any consideration for the
product.
For Immediate Release
DigiEffects Ships
CineLook AVX for Avid
Media Composer and Xpress
San Francisco, CA -
(8/8/99)
DigiEffects, based in Austin, Texas, today announces that it is
shipping CineLook AVX for Avid ....
.....CineLook
Broadcast has highly advanced stock matching capabilities that add grain to
video to match any film stock available. Grain can be added either to the red,
green and blue channels separately or to 3 different brightness layers to more
accurately emulate any desired type of film stock, both those that are currently
available and those that have not yet been invented. You can save all settings
as a preset, or modify existing presets. Another strength of this process is
that 3D footage can now be accurately matched to film stocks, an important step
forward in the attempt to have 3D imagery blend seamlessly with video and film
footage.
ChromaMatch is the color matching portion of CineLook Broadcast
based on a color curve manipulation system. Each of the curves has been provided
with 7 possible points for changing the value of the color in a highly accurate
manner. Users can choose both hue, saturation and brightness controls and red,
green and blue color controls in the interface. Because it is possible for users
to push the colors of their video into colors that are out of the NTSC safe
gamut, there is also a built-in "show unsafe colors" option in the
interface.......
.......CineLook AVX also provides a very
sophisticated frame blending process and 3:2 pulldown simulation to give the
more slurred and organic look that film's 24 frames per second
generates.
This is the best comment.......
CineLook Broadcast also adds a unique
film-artifact generator called FilmDamage. FilmDamage allows any video producer
to add duotone, dust, hair, dirt, scratches, flicker, uneven focus, film
sprocket jitter and even a trapped hair to create a more realistic film
appearance. FilmDamage uses both algorithmically created and digitized material
to create its simulation. FilmDamage completes the full simulation of
film.
Rod
Sommerich