Dear Lachance (and all)
Oh no, looks another of the TIG's famous
'English, from around the
world, language' misunderstandings. I was more
for you than anything else. In my 20 years or so
especially on old MK3 Jumpscans, I wondered sometimes if we
engineering than anything else. So when you mentioned all the
were trying to put together my heart went out to you!
I were more local to you, I would have to tried to
offer 'dry hire' of less
tricky equipment or something. Taking a wild
guess you might get a
better result doing a technical one light on a more
modern telecine and then
tape to tape colour correct after scene
selection...... Exactly how
much film do you have? It must be a SERIOUS quantity. Also
I am sure
that you are in no need of the tricks that we use to change the
look of the
film, so very high end transfer would not be needed.
From what I know of
the older types of telecines on
the market, $30k or less buys you a stand
alone Mk3 digi IV, so anything older
or less sophisticated would be far
less... e.g. FDL60, MK3 digi 1/2/3.
a lot warmer now) Robinson
Mechanics: The dreams stuff is made of."
----- Original Message
From: "Mike Lachance" <boarderguy at digitaltheater.com
<telecine at alegria.com
Wednesday, January 12, 2000 12:59 AM
Subject: Re: [TIG] EASTMAN 285 &
> If the below grovel is a fair representation of
gene pool of the
i will unsubscribe myself
> My apologies for having an interest in Post but
having a $70K
Studio at my fingertips.
> >Wow Mike, is this a hobby?
> >Why doesn't someone help him out with a cheap
> >the Dinosaur! Might make a good museum
> >Ken Robinson
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